This is storyboard number 1 and includes the establishing shot and mainly mid shots, to introduce the characters. Immediately we see there is a problem, with the way the female lead storms off form the car.
This is storyboard number 2 it features some long shots, and several close up shots, this is because it allows the audience to see where the female lead is going and to see that the driver is leaving abruptly.
Storyboard 3 is mostly close up shots, in car. These have been used to give the audience a sense of the drivers emotion, and allow for the scene to be set on the A46.
Storyboard 4 predominately has shots of the car travelling down the A46 to the drivers destination. The different angles show to the audience that the car is travelling.
Number 5 once again includes mostly shots of the car travelling the A46, this allows for a change of pace and tempo linking with music and video.
The 6th storyboard is one of the more emotional storyboards. This one includes mostly close up shots of the characters, displaying emotions varying from the drivers rage and misery and the lead females tears and regret.
The 7th storyboard includes some emotional close ups, but sees a change of scene, as the driver exits the A road and into a car park before he heads to a lake to contemplate his fate.
The penultimate storyboard is one of pure emotion on the drivers part, on this storyboard we see the driver travel through several emotions ranging from sadness to rage, and then finally his determination to end his problems one way or another.
The final story board once again is all about emotion, in this last storyboard the driver commits suicide over the loss of his love, although the audience do not see this, the footage allows them to make that assumption. As the female lead cries on the phone, and the deathly still scene of the lake pour over the screen the audience are left feeling the emotion involved in the song as well as the video as the song ends and the video fades to black.
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